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E N Q U I R E R   O P I N I O N
Wednesday, May 19, 1999

'Phantom Menace' needs a heart


Awesome techno-wizardry has a hole where humans should be

BY MARGARET A. McGURK
The Cincinnati Enquirer

MOVIE REVIEW
Star Wars Episode I:
The Phantom Menace
[3 stars]
   (PG; sci-fi violence)
   Liam Neeson, Ewan McGregor, Natalie Portman. 132 minutes. Written and directed by George Lucas.
    National Amusements, Danbarry Middletown, Princess Oxford, Showplace 8, Midway Bethel, Walnut Lawrenceburg, Colony Square.

        To make Star Wars Episode I: The Phantom Menace writer-director-producer George Lucas spent the better part of four years creating the movie's special effects. With the human actors, he spent about four months.

        It is no wonder then that this breathlessly awaited film event is a stunning visual spectacle with not much more emotional heft than a video game.

        That's not to say it lacks entertainment value. On the contrary, all that loving attention to computer-generated illusions pays off with jaw-dropping results. Bizarre intergalactic creatures interact seamlessly with humans; space vehicles sleek and strange abound; a sprawling underwater city looks magical and utterly real at the same time.

        Among the brawniest set pieces in which Mr. Lucas and company kick out the computer-generated jams is a contest that looks like a faster, flying version of a chariot race crossed with the Indy 500. In it, Anakin Skywalker — an extremely gifted 8-year-old discovered by passing Jedi knights — pilots his homemade racing machine.

        That scene and other great action sequences make the scenes centered on humans seem weirdly flat, even perfunctory.

        Part of the reason may be the complexity of the plot, in which a pair of Jedi knights becomes embroiled in the fate of a peaceful planet called Naboo, which is threatened by an evil trade group. Along the way, they find little Anakin and take him off to make him one of their own. So many threads are spun that the climax of the movie involves no less than four simultaneous battles — some between armies, some hand-to-hand.

Star Wars
Special section, latest updates
        It is too bad that events so often crowd out the people, because the movie is terrifically cast.

        Young Jake Lloyd plays Anakin with fierce intensity — although at least some of his lines reportedly were dubbed by child actor Harley Adams, now appearing in Les Miserables at the Aronoff Center.

        Liam Neeson, with more screen time than his co-stars, turns his Jedi knight, Qui-Gon Jinn, into a smashing mythic hero. All sci-fi fantasies should inspire such confidence.

        Ewan McGregor is Qui-Gon's apprentice, Obi-Wan Kenobi — the same character played in the original trilogy by Alec Guinness. Mr. McGregor cunningly models his accent and tone of voice on Sir Alec. Otherwise, one of the movie's harshest disappointments is how little he is given to do. Aside from a furious, balletic final fight scene, we see nothing of Mr. McGregor's dazzling energy or wickedly appealing personality.

        Natalie Portman is marvelously self-assured as the girl-queen of Naboo, a role for which her dazzling costumes should get equal billing. Unencumbered by the queen's fancy gear, she shows glimmers of deep compassion in her scenes with young Anakin. But again, the movie hurries along so quickly these scenes mostly serve to hint at what's to come in the next two films, rather than to develop the characters.

        Ahmed Best supplies the voice and body of Jar-Jar Binks, the amphibious guide who sticks with the Jedi for most of the movie. Technically, this is a fascinating character to watch, part live actor, part computer animation, speaking in a strange, strangled voice.

        As the movie's chief comic figure, however, Jar-Jar is a let-down. The movie strives hard to sell him as a lovable clown, and the effort shows — which of course, is the kiss of death to comedy.

        The first Star Wars was, by today's standards, cheaply made. Even school kids can outdo its special effects on their home computers. But its characters connected. You could feel something for them, and believe they felt something for one another.

        In this case, the imbalance is reversed. It seems Mr. Lucas was so busy making his movie look fantastic that he forgot to give it a heart.

Tell us what you think
Don't force 'Star Wars' on me Cliff Radel column
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