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E N Q U I R E R   L O C A L   N E W S   C O V E R A G E
Sunday, November 21, 1999

Art community abuzz about Big Pig Gig




BY OWEN FINDSEN
The Cincinnati Enquirer

        In the early 19th century, pigs roamed the streets of Cincinnati. Next spring they'll be back. A sizable public art project, it's called the Big Pig Gig.

        Huge, painted porkers, 250 of them, will be standing, sitting, leaping — even flying — on street corners, in building lobbies, in public places everywhere.

        It's Porkopolis Now!

        It may sound preposterous, commissioning artists to paint pigs, but consider what Chicago did with cows last summer. The Windy City's Department of Cultural Affairs commissioned 320 cows, sponsored by local businesses and individuals. More than a million tourists came to see the cows, making an economic impact on the city of $200 million. Last week, 65 cows from the Windy City's Cows on Parade project sold at auction for $2 million.

        “I was there!” says Tamara Harkavy, director of Artworks, the local employment and training program for teens and promoter of the Big Pig Gig. “It was unbelievable. Bidding would start at $500 and jump to $15,000 on the next bid. It was a real cattle auction.”

        Cows sold for as much as $100,000. One bidder bought three cows for $190,000. An additional, online auction brought in $1.4 million for 75 painted cows. In all, the Chicago Department of Cultural Affairs raised $3.4 million for the arts through the sale of painted cows.

        “I don't dream that Cincinnati could do as well,” Ms. Harkavy says, “but if our pigs go to auction, it will really benefit the arts. We grant money to many different organizations and this would give us an endowment that would help a lot.”

        The Big Pig Gig is already off and running. Sculptors are creating three large styles of fiberglass pigs, one standing, one sitting and one rearing back like a mustang.

        The pigs will be cloned until there are 250 of them to be distributed to artists. Wings are being made and may be used or not, according to the artists' designs.

        A “Call to Artists” registration form is being distributed to solicit artists to create designs. Companies and individuals are being contacted to buy an artist's pig at prices ranging from $2,800 to $10,000. The pigs will be unpenned during the Flying Pig Marathon on May 14.

        “I want to do a pig so bad I can taste the bacon sizzling,” says Jim Farr, known as “Daubber” for his automobile pin striping skills. “I would do something really radical. I'd do an outrageous dragster and flame the thing. I'd put it on wheels, a real road hog.”

        Sculptor Patricia Renick says she won't submit a design but would “love to do one” and hopes someone will commission her skills. “I want it to be a complete surprise.”

        “Everybody's talking about doing a pig,” says Bill Seitz, gallery director at the Carnegie in Covington. “I already have a sponsor, and the children in our ArtStop after-school program are doing one for the Ashland Oil Company.”

        Most companies and individuals will select their artists from a “Porkfolio” of designs artists submit. Those artists chosen will receive $1,000, but sponsors have the option of commissioning artists outside the Porkfolio and paying them more.

        Rumors are flying about celebrity artists in Cincinnati and in New York who are getting commissions.

        “The reason artists are excited about it is that they are paid for the work,” Mr. Seitz says.

        “And at the same time, this will get more recognition for the artists than they could hope to get through exhibitions. It's a win-win situation,” he says.

How to submit a pig design



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