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E N Q U I R E R   L O C A L   N E W S   C O V E R A G E
Thursday, December 09, 1999

Canadian quartet's concert intense, pleasing


CONCERT REVIEW

BY TOM SCHNELLER
Enquirer contributor

        The performance of the St. Lawrence Strinq Quartet Tuesday at the University of Cincinnati's Corbett Auditorium marked another triumph of the Cincinnati Chamber Music Society. A warm, mellifluous sound and considerable interpretive subtlety characterized the playing of the young Canadian ensemble.

        The tempestuous first movement of Haydn's String Quartet in D minor, op. 76., which the musicians negotiated with fire and precision, provided an electrifying opening. The contrasting characters of the lush, serenade-like second movement and the macabre scherzo were sharply etched, and the scurrilous humor of the last movement wittily captured.

        The quartet's extraordinary sensitivity to expressive nuance continued to impress in their exquisite interpretation of the String Quartet No. 3 in A major, op. 41, by Schumann.

        This bittersweet, lyrical work, suffused with both the ineffable melancholy and feisty vigor of the composer's divided temperament, bloomed in the hands of the four musicians.

        For the last piece on the program, Schubert's monumental String Quintet in C major, op. post. 163, the quartet was joined by cellist Paul Katz, a former member of the Cleveland Quartet. Mr. Katz blended perfectly with the ensemble, and the expanded group projected a rich and satisfying sound.

        Composed shortly before Schubert's death, the Quintet is a work of rattling intensity that veers from Dionysian joie de vivre to withered melancholy in abrupt shifts of mood. In the second and third movements, the musicians brought out extreme contrasts.

        The dark, hushed middle section of the boisterous scherzo arrived at a still point of almost unbearable gravi ty in which music seemed to turn into silence, silence into music.

        As the musicians gathered momentum again to hurl themselves back into the frenetic energy of the scherzo, the tension generated by this clash of opposite extremes imbued the whole passage with a feverish, hallucinogenic character that had a powerful impact.

        Moments of such intensity are rare and precious, and the enthusiastic applause, peppered with “Bravos,” that greeted the rapid, brilliant conclusion of the Quintet attested to the appreciation of the audience.

       



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