Sunday, August 04, 2002
Songstress captivates Southgate House
Concert review
By Chris Varias
Enquirer contributor
The boss man would have been pleased.
Patty Griffin, Dave Matthews' newest employee, was hard at work Friday night, delivering a set of emotionally charged songs to a seemingly spellbound Southgate House audience.
Ms. Griffin's 75-minute performance took many songs from 1000 Kisses, her newest album and first on the Dave-owned ATO label. Not that Mr. Matthews should get the credit, but Ms. Griffin a successful singer-songwriter the last few years could be enjoying a new level of popularity. The ballroom was sold out, and the crowd was either bored senseless or captivated, because nobody uttered a sound.
Ms. Griffin, a native of Maine now living in Texas, sang with an adopted twang that seemed to ebb and flow in degrees directly related to the vague Southern-ness of each song's story line.
Although not everything was playing make believe Dixie chick. Making Pies was a spirited ode to a slice of Northeast nostalgia. And 1000 Kisses's title track, the Spanish-sung standard Mil Besos, showed the band's versatility in shifting to Tejano. Ms. Griffin was backed by guitarist Doug Lancio (who with Ms. Griffin co-produced the album), Michael Ramos on keyboards and accordion, and cellist Brian Standefer, who Southgate House patrons might have recognized as a member of Alejandro Escovedo's band.
Non-1000 Kisses highlights included an unreleased song introduced as Truth No. 2 (I already have another one called "Truth,' she explained) and Let Him Fly, which was covered by and became a big hit for the Dixie Chicks.
Austin, Texas-based singer-songwriter Eliza Gilkyson opened the show with a solo act that was much more quirky and much less serious than Ms. Griffin's. She was also much more conversational, telling the crowd her father wrote the Dean Martin hit Memories are Made of This as well as the Disney tune The Bare Necessities. Ms. Gilkyson, however, is no Hollywood pop singer. When it came time to sing she took on that same pseudo-Southern singer-songwriter vibe Ms. Griffin has refined.
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