By Mandy Jenkins
The Cincinnati Enquirer
Justin Timberlake and Christina Aguilera have come a long way since their teen idol days. They've become full-fledged entertainers. Think it's a stretch? If you had been at U.S. Bank Arena Saturday night, you'd think twice.
Watching Aguilera through the eyes of an 8-year-old in blonde pigtails really puts this artist - and she is an artist - in perspective.
Yes, she sells sex dirtier than Britney Spears once did, but the awe in the eyes of a little girl in the front row says what this artist is really all about. Beyond the skimpy outfits, the stripper dancing routines and the piercings, there's a singer in there.
While she did begin a very grown-up version of "Genie in a Bottle" while tied up in lingerie to a rackshe doesn't have to resort to such antics. She rocked the house to "Dirrty," but it's obviously beneath the talent of a girl-woman who minutes later nailed every powerful note of Etta James' "At Last."
The little girl looked somewhat stunned as Christina shook her almost-bare backside onstage to a vigorous "Stronger," complete with fireworks and muscled male backup dancers. However, that same little girl sang every word, eyes closed and swaying slowly, to the poignant girl-anthem "Beautiful."
Even though Christina had no less than eight costume changes of varying degrees of coverageshe sang "Beautiful" wearing simple jeans and a T-shirt. No backup dancers, no fireworks. That powerful voice, wasted on throwaway (but admittedly fun) pop like "Come On Over," was really all she needed to make that little girl's night.
Justin Timberlake, on the other hand, is not so much a singer as he is an entertainer. At this show, he excelled at fast-paced R&B danceable songs, but faltered at slow ballads, though the ladies love it.
And that's what Timberlake's about. He came to the show with a constantly moving stage and huge backup band, aiming to please.
His performance of "Cry Me a River" was the very best he has to offer. The smooth combination of live instrumentation and precise choreography made for a spectacle that recalls the heyday of Michael Jackson. When he danced, bathed in blue light and wearing a cocked hat, he even looked a bit like The Gloved One.
When he donned an Adidas sweat suit and beat-boxed with a DJ and drummer to the old school classic "It Takes Two," he showed his true potential. While crooning songs such as "Let's Take a Ride" - while on a floating platform, no less - can make a singer popular, it doesn't give them staying power.
"Rock Your Body" could be his "Billie Jean," and the constant screaming from the audience proves it.
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E-mail mjenkins@enquirer.com
